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deindustrial ruinI need some assistance with a fiction project from readers literate in Japanese. It's set in a deindustrial future where most of the population of Japan had to flee the islands a while back -- we won't get into spoiler territory by talking about why. One of the amenities of the community where about half the story takes place is a Shinto shrine dedicated to those kami who also left Japan. Its name in English works out to the Hall of Homeless Gods; it's the Japanese for this that I need to doublecheck. 

If I'm right, that works out to  宿無神堂  , which in the on reading ought to be Shukumushindo. Am I right?  Or do I have it completely bollixed up? Enquiring authors want to know. Many thanks for your help!
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New MapsI'm delighted to announce that the first issue of New Maps, the new quarterly magazine of deindustrial future fiction, is in print and available for purchase. It's got stories by a fine mix of established deindustrial fiction authors and newcomers to the field -- Pierre Magdeleine, Dawn Vogel, Daniel Chawner, Jonathan Reif, Jeff Burt, David England, G. Kay Bishop and Violet Bertelsen -- as well as a book review and a letters column that is already full of conversation. I'm eagerly looking forward to my copy. 

If you're interested, you can get more information here. Copies of the first issue or subscriptions to the first four issues can be bought here. (Sensibly enough, you can also subscribe by mail -- instructions are on the bottom of the order page.)  Interested in writing for New Maps?  Publisher-editor Nathanael Bonnell would love to hear from you; please check out the submissions page and proceed from there. Want to write a letter to the editor?  Here's your link. 

As we move deeper into the penumbra of the deindustrial age, and the failed certainties of the conventional wisdom collapse around us, new maps of the territory ahead are one of our most pressing needs. As I noted in a recent blog post, while politics is downstream from culture, culture is downstream from imagination, and the stories we write and read today are crucial resources for helping us navigate the possibility space of tomorrow. 
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New MapsRegular readers of my blog will be familiar with my longtime interest in deindustrial fiction -- that is to say, fiction set in the kind of future we're actually going to get, in which declining resources, crumbling infrastructure, and the accelerating failure of the grand myth of perpetual progress take the place of the shoddy Tomorrowland kitsch that provides so many minds these days with their prefab thoughts. There aren't many venues that will publish stories of that kind -- it's long been a source of wry amusement to me that so many of those cultural venues that like to strut around claiming to be antinomian and transgressive are the first to run like rabbits back into the conventional wisdom the moment anybody proposes something that actually contradicts the conformist beliefs of our time. 

Joel Caris' fine quarterly Into the Ruins offered a venue for deindustrial SF for several years, but Joel has decided to go in new directions now. Fortunately, other hands are ready to pick up the work. 

Thus I'm pleased to announce the impending birth of a new quarterly magazine, New Maps, which will publish stories of deindustrial science fiction.  You can find its website here. Editor Nathanael Bonnell is eagerly seeking stories -- you can read his submissions requirements here -- and is also looking for cover art for the upcoming issues. This is a real opportunity for aspiring authors and artists -- and of course for anyone who likes to read science fiction rather than spaceship-themed fairy tales. Check it out. 
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Love in the RuinsSince so many of us are spending long hours at home these days, waiting for the coronavirus to finish up its fifteen minutes of fame, I'm pleased to say that there's some new reading material forthcoming. First of all, I'm delighted to announce that Love In The Ruins, the world's first anthology of deindustrial romance stories, is now available for preorder. Admit it, you've always wanted to read heartwarming stories of true love in the midst of a collapsing industrial civilization, and here's your chance. Readers of the After Oil series will recognize many of the authors of these tales, by the way; like the volumes in that series, it's another fine collection of short pieces about the future we're actually going to get -- this time, with romantic music playing in the background. 

Inside a Magical LodgeSecond, I'm very pleased to say that one of the books I consider my best work is going into print again in a new, updated, and revised edition. Inside a Magical Lodge remains the only significant book in print on the traditional lodge system, the toolkit of social and ritual organization shared by fraternal lodges such as the Masons and the Elks, on the one hand, and magical lodges such as the Golden Dawn and the Martinists on the other. This is a how-to volume, not simply a history or an overview, and it's set up to show readers how to participate in a magical lodge -- or design and start one from scratch. You can preorder a copy here

Beyond the NarrativesFinally, the third and (for the time being) last volume of my collected short essays and talks, Beyond the Narratives, is also available for preorder. Like the two older volumes, A Magical Education and The City of Hermes, this one covers a very diverse range of themes and subjects -- Druidry, Jungian psychology, magic, politics, history, warfare, and of course the future of industrial society. Just the thing to fill all those hours of free time you weren't expecting to have...
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Dream HuntThose of my readers who picked up any of the volumes of the After Oil series of deindustrial-SF anthologies, or subscribed to deindustrial SF quarterly Into the Ruins, already know that Catherine McGuire is one of the rising stars of the subgenre. I'm really pleased to see that her first anthology of deindustrial stories, The Dream Hunt and Other Tales, is now available for preorder from Founders House. The deindustrial-SF subgenre is picking up speed -- no surprises there, as the myth of progress crumbles around us daily -- and this volume showcases some of the best recent work in the field. Interested? Copies can be preordered here




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The summer 2018 issue of Into the Ruins has just been released, and it contains a treat...
Winter's Tales

Longtime readers of mine may remember the first work of deindustrial fiction I ever wrote, which appeared in the last months of 2006 on The Archdruid Report. "Winter's Tales' was a set of vignettes of everyday life in an American city in 2050, 2100, and 2150, taking three samples along the familiar historical curve of decline and fall. It's been turned into a graphic story by Marcu Knoesen and Walt Barna. Yes, this is the first page. 

I'm delighted, and I think my readers generally will find the graphic story a compelling revisioning of my tale. If you don't have a subscription to Into the Ruins yet, you can pick up a copy of the latest issue here

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city under waterThere's a conversation that happens nearly every time I discuss climate change, or contemporary politics, or (as in the most recent case on my blog) the cultural chasm that divides privileged intellectuals from the rest of the population here in the United States. It goes something like this: 

Reader: How can those of us who recognize the threat of climate change convince the rest of the American people to listen to us? 

Me: You have to start by changing your own lifestyles. As Gandhi said, "you must be the change you seek to make in the world. 

Reader: No, you don't understand. The problem's too big for that.  Just having activists change their own lifestyles won't make enough difference to matter.

Me: I never said it would. The question you asked is how to get people to listen to you, and the answer is that you have to prove your sincerity and lead by example, by changing your own lifestyles, or nobody else will take you seriously. 

Reader: But the situation's so desperate! We've got to convince everyone on the planet to stop using carbon or we're all doomed!

Me: You can't be part of the solution if your lifestyle is part of the problem.  Why should anyone else take the problem seriously and stop using carbon if climate change activists themselves aren't willing to accept even modest cuts to their own carbon-fueled lifestyles? 

Reader:  (Crickets...) 

It's really quite simple. Imagine, dear reader, that instead of talking about stopping climate change, we were talking about stopping rape. Imagine that there were big organizations dedicated to stopping rape, and curiously enough, most of their membership consisted of serial rapists. Imagine, then, that people pointed out to the serial rapists that if they really wanted to stop rape, they ought to start by not committing any more rapes themselves -- and every time, the serial rapists responded by insisting that you can't stop rape by just having the members of anti-rape organizations give up raping people, that the problem's much bigger than that, and how can they find a way to communicate to everyone in the world that rape is wrong? The answer, of course, is that they can't, because nobody will take them seriously until they themselves stop committing rape. 

Climate change activism these days is almost entirely a concern of middle- and upper middle-class people in the industrial world: people, that is, whose lifestyles are disproportionately responsible for the dumping of greenhouse gases; people who use much more fossil fuel energy, and many more of the products of fossil fuel energy, than the average human being. This fact isn't lost on anybody outside the climate change movement -- and the fact that climate change activists by and large insist on leading carbon-intensive lifestyles, while insisting that everyone else has to do something about climate change, has done more to scuttle the movement to stop climate change than any other factor I can think of. Unless something changes fast -- and by "something" I mean the attitudes of those who aren't willing to draw the obvious connection between the problems they think they're fighting and the lifestyles to which they think they're entitled -- the deindustrial future I described in my novel Star's Reach is looking more likely every day. 

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The latest issue of Into the Ruins has just been released by Figuration Press. For those of my readers who aren't familiar with Into the Ruins, it's a magazine of science fiction stories about the future we're actually going to get -- as in, wave goodbye to the hackneyed, done-to-death mandatory orthodox interstellar future of mainstream SF, say hello to futures here on earth as people deal with the aftermath of the Industrial Age and the emergence of new cultures in the far future. I think of Into the Ruins as the ongoing quarterly successor to my four volumes of postpetroleum SF, the After Oil series, and it features some of the most thought-provoking science fiction being published today. Pick up a copy here, or better still, subscribe

Since this journal seems to have attracted a lot of people who are interested in writing, it's probably also worth mentioning that editor Joel Caris is always, as in always, looking for new stories suited to Into the Ruins. You can find the submission guidellines here -- and remember the tried and true advice from the old days of SF pulp magazines: always read an issue of a magazine before you submit a story to it. 
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Me talking with the irrepressible Greg Moffitt about what comes after the accelerating decline and impending fall of industrial civilization. Cheery stuff, granted, but livened up with dollops of deindustrial science fiction, among other things. Check it out:

http://legalise-freedom.com/radio/john-michael-greer-beyond-collapse-the-future-of-civilization/
ecosophia: JMG in lecture mode (JMG)
Just got my copy of the latest issue of Into the Ruins, the premier -- well, to be honest, also the only -- quarterly magazine of deindustrial SF.


Into the Ruins issue 5 cover


It's a good lively issue, with the usual assortment of highly readable stories, essays, letters to the editor, etc. (Full disclosure: I have a regular column in it talking about older works of deindustrial SF; in this issue, Stephen Vincent Benet's "By the Waters of Babylon," Clark Ashton Smith's "The Dark Age," and Marvin Kaye and Parke Godwin's The Masters of Solitude get their place in the postcollapse sun.) Copies, for those who aren't already subscribers, can be gotten here.

One of the stories has me running a hand down my beard and considering a counter-story. Catherine McGuire, whose work I published in several of the After Oil deindustrial-SF anthologies, has a quasi-Utopian piece titled "Root and Branch;" it comes across as her idea of the good society, and strikes me as stunningly dystopian under a layer of warm emotional spraypaint. One way or another, it's thought-provoking...but as with most Utopian pieces, it leaves me thinking hard about what would happen once you add actual human beings to the picture. Hmm...

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ecosophia: (Default)John Michael Greer

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