Discursive Meditation: Phase 3
Sep. 21st, 2019 10:57 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ecosophia
Another week has gone by, and it's time for another installment of instruction for those of my readers who are following this sequence of posts. Here's Pharaoh Khafre, the builder of the second biggest pyramid in Egypt, reminding you of the correct posture -- well, except that you don't have a scepter to hold and so should relax that right hand and rest it palm down on your thigh like the other. If you need more detailed reminders, you can find the first two phases of the practice here and here. So far we've dealt with posture and relaxation. Now it's time to integrate a third factor, which is breathing. How you breathe has powerful effects on your state of consciousness, and there are intricate systems of breathwork that take advantage of this for various reasons. If you don't have a teacher to supervise you and watch for signs of trouble, though, those can be risky. Breathwork stimulates the vagus nerve, which has a range of effects on the sympathetic nervous system and the endocrine glands; if you do it clumsily, you can mess up your health. (I learned that the hard way, and it took about five years for me to get things back to normal. You don't want to go there.)
Fortunately there are methods of breathwork that are both safe and effective, and one of them is very commonly used in discursive meditation practice. It's called the Fourfold Breath. It's quite simple. You breathe in through your nose, slowly and deeply, to the count of four. You hold the breath in to the count of four. You breathe out through your nose, slowly and fully, to the count of four. You hold the breath out to the count of four. Repeat to the same steady rhythm.
How do you know how slow or fast to make the rhythm? Simple -- make it reasonably slow without gasping or running out of air. Keep it steady, gentle, and flowing. No two people will have exactly the same rhythm, nor will you have the same rhythm every time you practice. Don't use a metronome or any other mechanical aid; just let yourself find a pace that works for you.
One detail worth noting is that you don't hold your breath by closing your throat; you hold it by keeping the muscles of your chest and abdomen in their positions, either expanded or relaxed. If you're used to closing your throat to hold your breath, this can take some practice. How do you tell if you're closing your throat? Draw in a deep breath, hold it for a little while, and then breathe out. If you hear or feel a little "pop" inside your throat, you've closed it. To keep from doing that, keep trying to breathe in a trickle of air while you hold your breath in, and keep trying to breathe out a trickle of air when you're holding your breath out. You'll get the hang of it quickly.
For the next week, five minutes of the Fourfold Breath will be your practice. Take the position, hold yourself still, and let the tension drain away from the crown of your head to the soles of your feet, just as you did last week; take a minute or two to do this. Then begin the Fourfold Breath. Keep doing it for five minutes. What you're doing this week is the sequence you'll use to begin the process of meditation for real next week. Keep at it, and see where it take you!
(no subject)
Date: 2019-09-26 12:44 am (UTC)1) Why does this make my feet hot?
2) After a while, this induces hypnagogic hallucinations. Which makes sense if you figure it's putting you in roughly the same state as at the edge of sleep. Is this a feature or a bug? When this happens, do you pay attention? Ignore and continue? The lady in pastel business attire (with pearls!) tackling the giant gray lizard creature like a bodyguard taking out an assailant... well, it's hard not to pause for a quick "WTF?"
3) Any particular reason for hand placement on legs? I was taught to hold them at about shoulder level, elbows bent... and after trying out both, I find I breathe much more easily with hands up.