Magic Monday
Jul. 17th, 2022 11:04 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

The image? That's the thirtieth card in The Sacred Geometry Oracle. Card 31, the Sphere, when upright tells you that the possibilities before you are much bigger than you realize; when reversed, it tells you that you're completely missing what's going on. The sun in the upper left corner of the image tells you that this card belongs to the final third of the oracle, which corresponds to Nwyfre, the principle of spirit and meaning. We've completed our passage through the first two of the basic root functions of sacred geometry -- √3, the principle of the vesica piscis and the equilateral triangle, and √2, the principle of the square and its diagonal -- and now we're working with the √5, the seed from which the Golden Section unfolds and resolves all back into unity.
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***This Magic Monday is now closed. See you next week!***
Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:02 am (UTC)As always, thanks very much for your time and effort answering questions and facilitating further discussion. It is truly a wonderful resource for those of us who don't know anyone local to talk about these things with.
To Share: I've recommended Eirik Westcoat before, but this time let me recommend his book Eagle's Mead. Like his other book I recommended (Viking Poetry for Heathen Rites), it is largely a collection of poetry written in modern English following the metrical/alliterative rules of Medieval and older Germanic poetry, but rather than a collection of liturgical poems, this book contains poetry that he worked out while following the initiatory path laid out in Nine Doors of Midgard, and so is more explicitly magical as well as personal. Perhaps of interest to folks not as interested in the Germanic Gods, it includes some material related to the Grail myth, an area that Edred Thorsson has done some work to link with the Runes (mostly through some of the later, less-often-seen additions to the Anglo-Saxon Futhorc), and the system that Westcoat follows was laid out mainly by Thorsson.
Question: For JMG, or anyone in the commentariat willing to share, do you have any recommended resources on prayer as a practice, whether polytheist, Christian, or whatever else? I've started looking particularly at the Rosary as an example of a form of contemplative prayer that has been widely used for a good, long time, and I suspect it might be usefully adapted as a source of inspiration for prayers to other deities.
Cheers,
Jeff
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:20 am (UTC)I found this book had quite a bit of train the mind utility.
Cerridwen: Celtic Goddess of Inspiration by Kristoffer Hughes.
Just started reading it. Might be a good template for your work.
Rhydlyd
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:33 am (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 03:28 pm (UTC)--Sister Crow
--Sister Crow
Re: Eagle's Mead and Prayer Resources
From: (Anonymous) - Date: 2022-07-18 05:48 pm (UTC) - ExpandRe: Eagle's Mead and Prayer Resources
From:Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:33 am (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:35 am (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:41 am (UTC)I appreciate he’s controversial, but have no problem with that, as the beads are beautiful (I bought wood) and so are the short prayers that correspond to each bead.
It takes me about 15-20 minutes to pray each bead, and I do it every night. At this point, it’s from memory. I’ve found this practice very rewarding.
Best to you,
OtterGirl
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:56 am (UTC)I'm glad to hear from someone who has gotten good use out of them.
Thanks,
Jeff
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 11:19 am (UTC)Re: Eagle's Mead and Prayer Resources
From:Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 02:35 pm (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 04:56 am (UTC)—Princess Cutekitten
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 05:22 am (UTC)With the very little research I've done so far, the following points have struck me:
1) Like the Lord's Prayer, the rosary in English was composed by folks with a good ear for poetics but also for maintaining the spiritual significance of the translation
2) The Rosary has a very solid and deep structure: it begins with two prayers re-affirming the overall religious view of the universe of the church (Apostle's Creed and Our Father/Lord's Prayer), moves into three Hail Marys on the broad Marian themes of Faith, Hope, and Charity, and then proceeds into the mysteries being contemplated in this session, which collectively cover the whole Catholic liturgical calendar, and then closing prayers.
3) The actual length of saying the Hail Marys spaces out how long to spend on each aspect of the mysteries being contemplated. The very fact of getting the prayer to the point where you can recite it while also actively thinking about something else strikes me as likely a pretty powerful technique
4) The very nuanced interplay of repetition and novelty strikes me as very likely spiritually robust (for example, you're saying the same Hail Mary over and over again, but thinking about different aspects of the mysteries, and different mysteries on different days of the week, but you come back to them every week, and so forth)
All of which is to say that I think studying the rosary will do me some good in coming up with prayers to my own Gods, but I'm so new to all of this that I would very much appreciate if anyone can point me to "oh, St. So-and-So did a thorough analysis of the Rosary" or "Such-and-such academic looked at the Rosary and Buddhist bead-prayers and found the common structural elements". If not that, then any experience with what the rosary/other contemplative prayer has done for folks, what has worked for them, and so forth, would be most welcome.
Thanks much!
Jeff
Re: Eagle's Mead and Prayer Resources
From: (Anonymous) - Date: 2022-07-18 08:31 pm (UTC) - ExpandRe: Eagle's Mead and Prayer Resources
Date: 2022-07-18 05:15 am (UTC)There is a short book,
"The Practice of the Presence of God" which collects some of the discursive meditations of Brother Lawrence, a Christian monk who lived in the 1600's. IMHO, well worth a read, and widely available in print, and free online.
Here's a link for the interested;
https://d2y1pz2y630308.cloudfront.net/15471/documents/2016/10/Brother%20Lawrence-The%20Practice%20of%20the%20Presence%20of%20God.pdf
Smaragdine Discombobulated Mosquito / EG
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 07:35 pm (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 10:10 am (UTC)She has also written a guidebook on How to worship gods from a Platonist point of view, including chapters on prayer and ritual, you can check it here: https://kayeofswords.github.io/soulsinnerstatues/
Manuel
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 07:36 pm (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 11:04 am (UTC)https://en.wikisource.org/wiki/The_catechism_of_the_Council_of_Trent/Part_4
For the Rosary specifically, I would recommend St Louis de Montfort, The Secret of the Rosary--available in translation online at:
https://www.ecatholic2000.com/montfort/rosary/rosary.shtml
(I've been finding the discussion of Levi to interact with this book somewhat--I probably should not be surprised, as they are both French Catholics, and only a century apart.)
In my personal experience, the Novena to Mary, Undoer of Knots (which is based on the Rosary with some added prayers and meditations) is remarkably effective, and works very well with the planetary hours (think about what the central need is so far as you can tell, and pray the Novena starting in the day and hour of the appropriate planet and each day in that planet's hour.) I'm not sure if that is prayer, or magical ritual--they blur together a bit for me in that case.
SamChevre
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 07:38 pm (UTC)Thanks again,
Jeff
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 03:01 pm (UTC)https://www.patheos.com/blogs/pantheon/2010/05/retooling-the-rosary/
--Sister Crow
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 07:40 pm (UTC)Cheers,
Jeff
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 03:38 pm (UTC)This actually has me thinking of a potential project: to put up a website that explains these practices in a positive and informative manner, and uses an assortment of keywords to bump these articles up in the search results. Articles would also contain links to helpful books and other resources on these topics. It seems like there's a lot of very beneficial practices from the old sacramental churches that have been almost left for dead and can be very easily reclaimed and repurposed myriad spiritual persuasions.
Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 07:41 pm (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-19 12:37 am (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 05:54 pm (UTC)Re: Eagle's Mead and Prayer Resources
Date: 2022-07-18 07:28 pm (UTC)For the very basics, suitable to Old English/Anglo-Saxon poetry (there was much more variety recorded in Old Norse poetry than in Old English):
1) Each line is divided into two "half lines" with a caesura between them. Some authors render this as two separate lines, others with a large space at the caesura, and some with no visual indication at all. In speech in modern English, it usually works best as just barely a pause. These pairs of half-lines are the basic unit that the rules apply to.
2) Each half line must have two fully stressed syllables, but can include more unstressed syllables (minimum four syllables total)
3) The first stressed syllable of the second half line must alliterate with the first, second, or both stressed syllables of the first half-line in the pair
4) The second stressed syllable of the second half-line of the pair must not alliterate with the first stressed syllable in the second half-line, but may optionally alliterate with one of the stressed syllables in the first half-line
5) All vowels alliterate with each other
6) Consonant clusters that are spoken as one sound (like "sk", "sp", "th" and so forth) alliterate with themselves, not with the first letter (for example "skill" and "sketch" would alliterate, but "skill" would not alliterate with "sound")
Here's what looks like a pretty decent discussion with plenty of footnotes if you want to explore further: https://people.uleth.ca/~daniel.odonnell/Tutorials/old-english-metre-a-brief-guide
If you're looking for some good examples, besides Westcoat's works (which also include some other Old Norse-inspired meters that have more complex rules, but with a core of "stress and alliteration"), Tolkien has some good stuff: his translation of Beowulf is mostly rendered in prose, but the book contains some poems composed in the style. His Legend of Sigurd and Gudrun is also entirely written in the very similar Norse meter called fornidhslag.
Lastly, not on the subject of meter, but if you are interested in constraining yourself to Germanic-derived words in Modern English, Plain English by Bryan Evans is a wonderful resource, as is the Anglish Moot wiki (https://anglish.fandom.com/wiki/Main_leaf). Certainly not a requirement, but I find it a fun creative constraint, and I enjoy the sound of Old Englishy words.
On the other hand, if you're looking to compose in Old English rather than modern English, Wordcraft by Stephen Pollington is rather helpful. It's mostly a brief dictionary, but it also includes thematic groupings of words, for example words that have to do with "starting" something or words that have to do with "thinking", so it also functions a bit like a thesaurus. Also, not on poetry specifically, but Pollington is my favorite writer on Anglo-Saxon history and religion, and I unreservedly recommend as many of his books as you can get a hold of.
Cheers,
Jeff
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