Magic Monday

Also: I will not be putting through or answering any more questions about practicing magic around children. I've answered those in simple declarative sentences in the FAQ. If you read the FAQ and don't think your question has been answered, read it again. If that doesn't help, consider remedial reading classes; yes, it really is as simple and straightforward as the FAQ says. And further: I've decided that questions about getting goodies from spirits are also permanently off topic here. The point of occultism is to develop your own capacities, not to try to bully or wheedle other beings into doing things for you. I've discussed this in a post on my blog.
The image? I field a lot of questions about my books these days, so I've decided to do little capsule summaries of them here, one per week. This is my sixth-fourth published book and sixteenth novel, and it's a sequel to my first novel, The Fires of Shalsha. Like that earlier novel, Journey Star is set on the second planet of Epsilon Eridani, which in the story was colonized two centuries back by a generation ship from Earth; like the earlier novel, it starts with a standard sort of conflict between seeming good and evil, but doesn't stay there. Having villains who are bad just because the heroes need someone to scorn and annihilate makes for dreary fiction; maybe, just maybe, even the most monstrous actions can be justified or even necessary in the eyes of those who do them...
And that's all I'm going to say about this strangest (so far) of my novels. All things considered, I think it worked fairly well. If you're interested, you can get copies here if you're in the United States and here if you're elsewhere.
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With that said, have at it!
***This Magic Monday is now closed, and no further comments will be put through. See you next week!***
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1.) was he invited to act in the US, or did he decide to work of his own incomprehensible reasons.
2.) Where would one go to find out about “the big fish” swimming in the depth of the place one lives in?
3.) is, were, it safe to work with such powers? Or does one live them be unless they start making waves. And then one does the best to surf the wave.
Incidentally; There is a clique of German speaking mediums here, mr. E Fischer among them, who posted some weeks ago, that he saw “dark energy being over Europe and US”. And that it seems to flow away in the times to come. “Naturally” in a “waterfall” in german speaking Europe. And in “a black hole ringed with light” in the US. His interpretation was, that “the forces of light” are helping the process in the US. Might be connected.
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1) I know a lot of people, especially working class people who've been having their faces ground into the pavement by the bureaucratic-managerial class, have been praying their hearts out, asking for God to do something about the situation. It seems very possible to me that they got what they were asking for.
2) Read the old legends and folktales of the region where you live. The gods/archetypes leave their tracks in such places.
3) Gods are never safe. C.S. Lewis understood that: "Aslan is not a tame lion." If you invoke them, you get what they decide to give, which is not necessarily what you want.
4) Interesting. Well, we'll see.
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1-3) So such a thing is not uncalled. For what it is worth, I do hope this change turns out well for the US. For all of you. Let it change to reinvent itself. :-) I could easily imagine a possibility for such.
Incidentally, does Yeats idea of calling on the spirits of the land mean the same thing?
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1-3) Yes. Most Americans don't know about land spirits -- all they know how to do is pray to the Christian god. The message still gets through.
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(Anonymous) 2025-02-10 11:43 pm (UTC)(link)One more question, if I may: Could the growth of Heathenry in this country be at all related to a sense of relatedness among the Gods of this land, and those of Northern Europe?
Thanks as always,
OtterGirl
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2) The Heathen gods do seem to have naturalized here very well. I suspect part of that is because they were worshipped here long before the bulk of white settlement, if only in scattered settlements in the far northeast.
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(Anonymous) 2025-02-11 01:37 am (UTC)(link)Re: Astrology?
http://www.native-languages.org/transformer.htm
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Incidentally, in the collection I found a lot of classic greek stories, how do the Greek myths fit into the sense of the land, not in Greece? (Classical Greek stories like Seven against Thebes, Oedipus and Antigone,…)
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(Anonymous) 2025-02-11 04:09 am (UTC)(link)I believe he also claimed to have slept overnight in the great pyramid and experienced very powerful djinn who were deliberately trapped in them millennia ago.
Are either of these possible/plausible?
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(* The first and second generations of Teffts in RI were one of the few European-ancestry families who lived in very close contact the Narragansetts at some distance from other European settlers. Both of the second-generation Tefft men were fluent in Narragansett. One of them also married an indigenous woman and even fought on the side of the Narragansetts against the European settlers during King Philip's War. He was captured by Colonial troops, and was hanged and quartered.)
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(Anonymous) 2025-02-10 11:09 pm (UTC)(link)Re: Astrology?
Yes, and that's always the way things work out. In ages of reason, the elite classes of every civilization embrace pallid, watered-down pseudoreligions which mostly serve them as mild tranquilizers and venues for onanistic self-glorification. Then the gods show up on the side of the deplorable classes, who are unfashionable enough to actually believe in something other than their own collective ego, and the elite classes are inevitably caught with their pants around their ankles.
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On the one hand you have the mental machismo (if not masochism) of atheists like Bertrand Russel who portray their views as a brave acceptance of a world without hope or meaning, and on the other hand you have those like Carl Sagan who are quite eager to be rid of the "demon-haunted world" of religion.
Hmm.
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(Anonymous) 2025-02-11 02:59 am (UTC)(link)Are there general principles about how to navigate the inflection that the egregors of the groups that a devotional representation's artist came from might give to devotional practices? This reminds me of that discussion the other week (I can't find it now?) about how intermediate-planar human constructions like symbols and ideas can facilitate contact from higher planes, but can also distort or color that contact in ways that might go unnoticed. I suppose furries are not clearly more dysfunctional or corrupt than the mainstream culture, especially depending on what you emphasize or de-emphasize; arguably there would be more issues with Christian devotional artwork from people only a few degrees removed from the Holy Land Crusades or the Albigensian democide. And one of the benefits of diversity is highlighting things for reflection by contrast. And having a blurry line between artistic practice developed for devotional artistic subjects versus erotic ones didn't seem to slow the Greeks down much. And the divine inspires and invests its presence in what it will.
This also reminds me that I had been considering somehow acquiring an image for devotions to Whoever it is whose will is conveyed by the details of the tricksy situation around Psalm 22 and the Crucifixion (Mt 27:35,39,46; Mk 15:23,29,33; Lk 23:34; Jn 19:24) and our limited access to surviving manuscripts, with like four different parallel or simultaneous versions of what is going on with Jesus's hands and feet depending on how the broken Hebrew ka'ari yaday weraglay (Masoretic) or kaaru yaday weraglay (Dead Sea Scrolls) or ōryxan cheiras mou kai podas mou (Seuptuagint) is rendered: one where his hands and feet are literally like a lion, one where there are gouges accompanied by tiny archaeologist's surveying posts and ropes or a tiny plow indicating that some kind of furrowing or layer-breaching excavation had been performed, and so on to catch various other plausible proposals for what the text had been, or what the divine intention for how we were to interpret the situation had otherwise been. (And maybe also where all this was happening to some other crucifixion victim, and Jesus was somewhere else, only getting lots cast for his clothes and having onlookers shake their head at him and invoking the first line of the psalm, but without having anything retrospective-prophecy-fulfilling happen to his own hands and feet -- I wasn't really clear until now on the fact that Ps 22:16/17 isn't actually itself referenced by those Gospel texts which survived.) But I'm quite at a loss as to how to find someone artistically competent who could treat the artistic subject of the facially absurd situation with adequate gravity and respect. (Maybe a properly devoted Discordian?) It feels vaguely like it would be a profanation somehow if I were to attempt it myself; perhaps that is what I would need to work on? And maybe artistic competence is of only peripheral importance here? Are you supposed to only make devotional representations using tools that you carefully never use for anything potentially profane, and maybe also consecrated ones just to be sure? There's also the issue about the subject being someone being executed in a torturous way, which seems hard to have appropriate attitudes about just by itself.
(there is an inconveniently ready joke answer here, which would be, "if someone has basically a lion for their hands and feet that's a theriomorphism, so commission Kyoht -- obviously!". though that does not necessarily do any better on the "profanation" front, also I don't know them but I expect most working artists wouldn't appreciate the grief)
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Like many people in Flyover Country, I am very grateful that things are finally changing and will never be the same again.